Sculpture

Chicago (2 of 3) - ART

Flamingo is a 16m tall steel Sculpture by Alexander Calder created in 1974. It was designed to offset the dark, minimalist, steel and glass building behind (designed by Ludwig by Mies van der Rohe) called the Dirksen Federal Building which was completed in 1964 and stands 45 stories tall.

I felt incredibly inspired by the Art I experienced in Chicago. I loved exploring the city and discovering public sculptures, both historic and modern (and taking sculpture selfies). Visiting the Art Institute of Chicago was really a highlight, although one day is not enough to see it all! It really is an incredible collection.

The Art Institute of Chicago was founded as both a museum and school for the fine arts in 1879, a critical era in the history of Chicago when resources were devoted to rebuilding the city after most of it had been destroyed by the Great Fire in 1871. The permanent collection contains nearly 300,000 works of art in fields ranging from Chinese bronzes to contemporary design and from textiles to installation art. Together, the School of the Art Institute of Chicago and the museum of the Art Institute of Chicago are now internationally recognized as two of the leading fine-arts institutions in the United States.

The Art Institute’s Mission is, “We collect, care for, and interpret works of art across time, cultures, geographies, and identities, centering the vision of artists and makers. We recognize that all art is made in a particular context, demanding continual, dynamic reconsideration in the present. We are a place of gathering; we foster the exchange of ideas and inspire an expansive, inclusive understanding of human creativity.”

If you visit the Art Institute don’t miss the very bottom floor which consists of The Thorne Miniature Rooms. They were created by Narcissa Niblack Thorne in the 1930s and 1940s, and they depict various historical interiors from Europe and America. The rooms are built on a scale of 1:12, and they are incredibly detailed, with miniature furniture, carpets, and even tiny books.

The Tiffany Window - Hartwell Memorial Window, 1917. Design attributed to Agnes F. Northrop for Tiffany Studios

Before visiting Chicago I had not heard of Tiffany Studios or seen his mosiac works. Louis Comfort Tiffany was an American artist who revolutionized the art of stained glass windows in the late 19th and early 20th centuries. Although Tiffany’s name is associated with New York City, he had a strong association with Chicago. His association with the city began with the World’s Columbian Exposition in 1893, where his Byzantine-inspired chapel and ecclesiastical wares were an international sensation, winning him 54 medals. This led to many commissions in Chicago, which compelled him to open a satellite studio in the city.

Tiffany’s work can be seen at many places in Chicago, including stained glass windows at the Second Presbyterian Church, glass mosaic panels at the Marquette Building lobby, and the largest Tiffany dome at the Chicago Cultural Center. The Tiffany dome at Macy’s on State Street is the world’s largest example of an unbroken Tiffany favrile iridescent glass mosaic, covering over 500 square metres and containing 1.6 million pieces of glass. The process of creating this dome took one and a half years to complete with over 50 artisans working under the direct supervision of Mr Tiffany.

I don’t think the photos really do these mosaic dome artworks justice, it is hard to see the colour and detail in the photo.

Tiffany mosaic artwork depicting the history of Chicago in the Marquette Building

Chicago Cultural Centre

There are tons of things to see and experience in any large city. I love seeking out the layers of history which are normally intertwined with art and architecture. I was really surprised and inspired by the depth and beauty of the love of art found in Chicago.

~ G.S

Bosch Ceramics

Art and Nature

We often travel to the Lowveld to visit family and it always reminds me where my love for nature started. Growing up in Nelspruit you can’t help feeling close to the landscape. The trees, granite domes, birds and ‘bush’ are such an integral part of everyday life that they become part of you.

Many artists have moved to this part of the country because of the beauty of the landscape and the inspiration that the closeness to nature brings. This must be part of the reason that Esias Bosch decided to move here in 1960.

Esias Bosch

Esias Bosch (1923 – 2010) is regarded as one of South Africa’s most distinguished ceramic artists and is both nationally and internationally acclaimed. How fortunate for South Africa that this master potter not only left a legacy of incredible artwork, but also birthed two ceramic studios located a few kilometres from each other in the picturesque hills of White River, Mpumalanga.

Esias and Valerie Bosch had three children named Anton, Ezra and Andree. Andree Bosch is an author currently working on a novel while Anton Bosch and Ezra Bosch are both ceramic artists. Andree co-authored the book Esias Bosch which was printed in 1988 and published by Struik Winchester. The book, which coincided with his 65th birthday, documents his life, his influence on the pottery movement and his artistic journey as he moved from different mediums. He moved from earthenware to stoneware, then to porcelain, then to lustre tiles. The book beautifully captures his artworks and impressive large scale commissions through large colour photographs.

 

The Creativity Continues

Esra and Anton are continuing the legacy of their father and since they were apprenticed by Esias from a young age their experience and knowledge of the art was a solid foundation for launching their own careers. Esra Bosch runs her studio from the original family home known as Die Randtjie which was designed by architect Norman Eaton.

Anton and Hanlie in front of their Studio in White River

Anton and Hanlie Bosch Studio

Anton met his wife Hanlie while they were both studying fine art in Pretoria. Anton majored in drawing and painting and these skills are evident in his ceramic artworks. He started working in the studio with his father Esias, but later moved to a farm a few kilometres away where he established his own studio with Hanlie.

The driveway to the home and studio is below a dense tree canopy created by large indigenous trees. Anton and Hanlie have lived on the farm for over 15 years and most of these trees were planted by them. Large ceramic pots decorate the entrance and splashes of ceramic tiles can be seen in the floor surfaces at different areas.

The ceramic artworks are on display in a room adjoining the Studio where you can see various projects in their stages of completion. The Studio is practical and airy with vast timber trusses creating a large volume, the space filled with light. You can tell that this is a room where magic is made.

Display Room filled with ceramic artworks

The Studio - where the magic happens

Their Artwork

Each artwork is handmade and lovingly created, no two pieces are alike. Their work is characterised by bold shapes, beautiful colours and joyful scenes, often reminiscent of the Lowveld and its surrounding beauty.

Hanlie specialises in sculptures and figurines, wall tiles, plates and bowls and paintings while Anton creates tiles, decorative vases and vessels, as well as bowls and plates. His lustre tiles are particularly impressive as the scale at which he can create these artworks has been a skill he has mastered over many years. The tiles are an enormous 1.9m x 1.1m and weigh as much as fifty kilograms. Creating these tiles requires an intricate and detailed process. He fires the tiles several times in his custom made flat bed kiln and each tile can take 4-5 weeks to complete.

Large Tile Artwork in the making

Family

Creativity runs in the Bosch blood as Anton and Hanlie’s children have also found careers in the creative industry. Their daughter Nina Bosch designs much sought after ceramic jewellery while their son Esias (Sias) Bosch studied architecture and runs his own architecture firm, also based in the Lowveld.

Visiting the Studio

It is best to visit the studio in person as new artworks are constantly being added and the display stands refreshed with the latest range of works. Not all work is on display as much of their work is commissioned or ordered on special request.

Next time you are in the Lowveld why not visit the studio as you may find the perfect piece for your own home or find the perfect gift for a special occasion. You may also leave feeling inspired to create (whatever that may look like) in your own life.

“Art has the power to transform, to illuminate, to educate, inspire and motivate.” Harvey Fierstein

Websites

Anton and Hanlie Bosch - www.boschstudio.co.za

Esra Bosch - www.esrabosch.co.za

Esias Bosch - www.esiasbosch.co.za

Nina Bosch Jewellery - www.ninabosch.co.za

Dylan Lewis Sculpture Park

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The Dylan Lewis Sculpture Park is situated outside Stellenbosch in the Cape and is a remarkable display of artistic genius. The artist uses the landscape to compliment the artworks and create an immersive experience for the visitor. Visits to the Sculpture Park are by appointment only (see contact details below).

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About the Artist

Dylan Lewis is an internationally acclaimed South African sculptor, best known for his metal sculptures of large cats. His international career spans two decades and includes exhibitions in Paris, Sydney, Toronto, Houston and San Francisco, as well as numerous one-man exhibitions in London, where he is among the few living artists to have held solo auctions at Christie’s London.The leopard was his primary subject and he spent much time studying them, even dissecting them to further study their anatomy. The sculpture garden displays both his big cat and animal sculptures as well as his more recent work depicting human form and more abstract representations.

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About the Garden

Mulberry farm had been Dylan’s studio since 1993 it was in 2009 that is started taking shape into the sculpture garden it is today. He hired an excavator to create a level play area for his children and began shaping the land much like he would begin creating a sculpture. For two years the earth was shaped with earth-moving equipment to create the ponds, hills and depressions that characterize the space. In March 2017 the Dylan Lewis Sculpture Park was officially opened.

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The garden is filled with spaces that are each unique and have their own character and mood. Certain spots are intimate and secluded, others expansive. The garden has been intuitively designed to create a sensory experience and every element, from sculpture to boulder, has been placed with great care. The paths were laid out over many years with great attention to detail and every bend, contour and viewpoint has been taken into consideration. The artist has recommended a specific route for visitors to walk (indicated on the map you receive on arrival) in order to pass sculptures in a way that enhances their movement and presents certain views in the sequence he has envisioned.

Planting

The planting is an artwork in itself and the plant palette is used in a way to add beauty to the spaces and define the different areas. Vegetation is predominantly fynbos which is local to the Cape and several species were sourced from Kirstenbosch Botanical Gardens. Retios dominate where the earth has been shaped to create dams and waterways while other areas are covered with area specific planting. An impressive total of 32 Erica species are listed on the plant list while 15 Pelargonium species have also been used. (See Plant List Below)

Fiona Powrie, an indigenous plant consultant oversees the garden botanically has ensured that an almost completely indigenous plant palette is used. The exotic species on site are reminders of a layer of historical planting.

The beauty of this sculpture park is that in every season there will be interest provided, not only by the variety of different indigenous flowering species, but from shape, form, texture, composition, experience, and the impressive backdrop of the mountains and their reflection in the water.

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Water

The garden’s four sources of water are a natural perennial spring, a seasonal mountain river, a borehole and agricultural water. These provide water to the different ponds and wetlands as well as the large lake in the centre of the garden. The stepping stones over water are symbolic of the passage into mythical space.

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An incredibly beautiful space to visit with nature as the canvas for this artist’s creations.

Contact Details

https://dylanlewis.com/

Dylan Lewis Sculpture Garden: reservations@dylanart.co.za

Tel: +27 (0)21 880 0054
Fax: +27 (0)21 880 0588

Dylan Lewis Studio and Sculpture Garden, Mulberry Farm, Paradyskloof Road, Stellenbosch, 7600, South Africa

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Plant Checklist can be obtained from the Sculpture Park

Plant Checklist can be obtained from the Sculpture Park