Chicago (2 of 3) - ART

Flamingo is a 16m tall steel Sculpture by Alexander Calder created in 1974. It was designed to offset the dark, minimalist, steel and glass building behind (designed by Ludwig by Mies van der Rohe) called the Dirksen Federal Building which was completed in 1964 and stands 45 stories tall.

I felt incredibly inspired by the Art I experienced in Chicago. I loved exploring the city and discovering public sculptures, both historic and modern (and taking sculpture selfies). Visiting the Art Institute of Chicago was really a highlight, although one day is not enough to see it all! It really is an incredible collection.

The Art Institute of Chicago was founded as both a museum and school for the fine arts in 1879, a critical era in the history of Chicago when resources were devoted to rebuilding the city after most of it had been destroyed by the Great Fire in 1871. The permanent collection contains nearly 300,000 works of art in fields ranging from Chinese bronzes to contemporary design and from textiles to installation art. Together, the School of the Art Institute of Chicago and the museum of the Art Institute of Chicago are now internationally recognized as two of the leading fine-arts institutions in the United States.

The Art Institute’s Mission is, “We collect, care for, and interpret works of art across time, cultures, geographies, and identities, centering the vision of artists and makers. We recognize that all art is made in a particular context, demanding continual, dynamic reconsideration in the present. We are a place of gathering; we foster the exchange of ideas and inspire an expansive, inclusive understanding of human creativity.”

If you visit the Art Institute don’t miss the very bottom floor which consists of The Thorne Miniature Rooms. They were created by Narcissa Niblack Thorne in the 1930s and 1940s, and they depict various historical interiors from Europe and America. The rooms are built on a scale of 1:12, and they are incredibly detailed, with miniature furniture, carpets, and even tiny books.

The Tiffany Window - Hartwell Memorial Window, 1917. Design attributed to Agnes F. Northrop for Tiffany Studios

Before visiting Chicago I had not heard of Tiffany Studios or seen his mosiac works. Louis Comfort Tiffany was an American artist who revolutionized the art of stained glass windows in the late 19th and early 20th centuries. Although Tiffany’s name is associated with New York City, he had a strong association with Chicago. His association with the city began with the World’s Columbian Exposition in 1893, where his Byzantine-inspired chapel and ecclesiastical wares were an international sensation, winning him 54 medals. This led to many commissions in Chicago, which compelled him to open a satellite studio in the city.

Tiffany’s work can be seen at many places in Chicago, including stained glass windows at the Second Presbyterian Church, glass mosaic panels at the Marquette Building lobby, and the largest Tiffany dome at the Chicago Cultural Center. The Tiffany dome at Macy’s on State Street is the world’s largest example of an unbroken Tiffany favrile iridescent glass mosaic, covering over 500 square metres and containing 1.6 million pieces of glass. The process of creating this dome took one and a half years to complete with over 50 artisans working under the direct supervision of Mr Tiffany.

I don’t think the photos really do these mosaic dome artworks justice, it is hard to see the colour and detail in the photo.

Tiffany mosaic artwork depicting the history of Chicago in the Marquette Building

Chicago Cultural Centre

There are tons of things to see and experience in any large city. I love seeking out the layers of history which are normally intertwined with art and architecture. I was really surprised and inspired by the depth and beauty of the love of art found in Chicago.

~ G.S

Denver Botanical Gardens, Colorado

I was incredibly impressed with the Denver Botanical Gardens located in York Street, Denver, Colorado, when I had the privilege of visiting the USA in July. I had no idea a Botanical Gardens could have such a variety of activities and opportunities available. I thought if I ever lived in Denver someday, I would love to work at this place! The love of all things Botanical is tangible.

Four Towers Pool next to Science Pyramid

Denver Botanic Gardens Facilities

Typically, people spend 2.5 hours at the Denver Botanical Gardens and it is not surprise why - there is so much to see! The Gardens not only provide a wide variety of incredible plants to view and enjoy (exploring the gardens is amazing) but they also host Art Exhibitions; a Science and Research Centre is connected to the Gardens; the Helen Fowler Library offers books related to horticulture; there is a school of Botanical Art and Illustration; a coffee shop and they even screen movies!

The Gardens established Denver Botanic Films in 2021 to create yet another powerful bridge between people and the rest of nature. By telling stories about the special relationship between humans and plants, we hope to educate and inspire.

You really do feel inspired after a visit to this place and I love how they focus on education and the appreciation of art. I really enjoyed the art exhibitions that were on display.

Orangery

Exploring the Gardens

The Gardens have a large selection of interesting spaces to explore - it would be best to consult the map and decide which areas you want to prioritize. I started from the Visitors Centre and moved in an anti-clockwise direction trying to take in as much as I could. This includes Gardens of the West, Internationally inspired Gardens, Ornamental Gardens, Shady Gardens and Water Gardens. Every area you walk into is a sensory delight. Colours, textures, sounds and sculptures combine to create memorable and beautiful moments. Water is also present throughout the Gardens adding movement and creating a sense of calm and serenity.

Water runs throughout the Gardens

There are bees and butterflies throughout the garden - I spotted this dragonfly who was happy to be photographed

I think this was my favourite part of the Garden (a tough decision) - The Monet Pond. Before I took the photos the water was perfectly still and reflected the sky, beautifully ordained with colourful waterlilies.

The Monet Pool is our largest water garden and features a stunning collection of aquatic plants including hardy and tropical waterlilies, Victoria waterlilies, pickerel plants, cannas, iris and more. Peak bloom occurs from June through September each year. An annual Water Blossom Festival is held in early August.

Boettcher Memorial Tropical Conservatory

This enormous greenhouse makes you feel like you are in a tropical rainforest. I spotted several plants I recognised that are commonly grown in the Lowveld with its tropical climate, including Heliconia (Lobster Claws) and several orchid varieties.

Dedicated in 1966 and awarded Denver Landmark Status in 1973, the Tropical Conservatory is one of the world’s most unique displays of exotic plants from tropical and subtropical regions. Midway on a circular path is a fabricated two-story banyan tree that offers a multi-layered view of the indoor tropical forest.

Helen Fowler Library

I really wanted to highlight this aspect of the Gardens as I think it is such an important contribution and really admire the connection of the Library to the Gardens and the legacy that Helen Fowler left. How I would love to have access to a facility like this!

The Helen Fowler Library holds a significant collection of botanical and horticultural materials about the Rocky Mountain region and similar regions around the world. The library supports research at the Gardens as well as community interests. The collection of approximately 25,000 titles includes subjects such as:

• Gardening, horticulture, botany, agriculture and landscaping

• Colorado native plants and world flora

• Botanical art and illustration

• Medical botany, ethnobotany, plant lore, plant pests and diseases

• A large selection of children’s books, fiction and DVDs

Visitors are encouraged to peruse the shelves, research within the Helen Fowler Library and ask questions of library staff and volunteers during open hours. (all text in italics taken from website)

If you ever get the opportunity to visit the Denver Botanical Gardens, I would highly recommend it!

For further information visit www.botanicgardens.org

~ G.S

Dylan Lewis Sculpture Park

The Dylan Lewis Sculpture Park is situated outside Stellenbosch in the Cape and is a remarkable display of artistic genius. The artist uses the landscape to compliment the artworks and create an immersive experience for the visitor. Visits to the Sculpture Park are by appointment only (see contact details below).

About the Artist

Dylan Lewis is an internationally acclaimed South African sculptor, best known for his metal sculptures of large cats. His international career spans two decades and includes exhibitions in Paris, Sydney, Toronto, Houston and San Francisco, as well as numerous one-man exhibitions in London, where he is among the few living artists to have held solo auctions at Christie’s London.The leopard was his primary subject and he spent much time studying them, even dissecting them to further study their anatomy. The sculpture garden displays both his big cat and animal sculptures as well as his more recent work depicting human form and more abstract representations.

About the Garden

Mulberry farm had been Dylan’s studio since 1993 it was in 2009 that is started taking shape into the sculpture garden it is today. He hired an excavator to create a level play area for his children and began shaping the land much like he would begin creating a sculpture. For two years the earth was shaped with earth-moving equipment to create the ponds, hills and depressions that characterize the space. In March 2017 the Dylan Lewis Sculpture Park was officially opened.

The garden is filled with spaces that are each unique and have their own character and mood. Certain spots are intimate and secluded, others expansive. The garden has been intuitively designed to create a sensory experience and every element, from sculpture to boulder, has been placed with great care. The paths were laid out over many years with great attention to detail and every bend, contour and viewpoint has been taken into consideration. The artist has recommended a specific route for visitors to walk (indicated on the map you receive on arrival) in order to pass sculptures in a way that enhances their movement and presents certain views in the sequence he has envisioned.

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Planting

The planting is an artwork in itself and the plant palette is used in a way to add beauty to the spaces and define the different areas. Vegetation is predominantly fynbos which is local to the Cape and several species were sourced from Kirstenbosch Botanical Gardens. Retios dominate where the earth has been shaped to create dams and waterways while other areas are covered with area specific planting. An impressive total of 32 Erica species are listed on the plant list while 15 Pelargonium species have also been used. (See Plant List Below)

Fiona Powrie, an indigenous plant consultant oversees the garden botanically has ensured that an almost completely indigenous plant palette is used. The exotic species on site are reminders of a layer of historical planting.

The beauty of this sculpture park is that in every season there will be interest provided, not only by the variety of different indigenous flowering species, but from shape, form, texture, composition, experience, and the impressive backdrop of the mountains and their reflection in the water.

Water

The garden’s four sources of water are a natural perennial spring, a seasonal mountain river, a borehole and agricultural water. These provide water to the different ponds and wetlands as well as the large lake in the centre of the garden. The stepping stones over water are symbolic of the passage into mythical space.

An incredibly beautiful space to visit with nature as the canvas for this artist’s creations.

Contact Details

https://dylanlewis.com/

Dylan Lewis Sculpture Garden: reservations@dylanart.co.za

Tel: +27 (0)21 880 0054
Fax: +27 (0)21 880 0588

Dylan Lewis Studio and Sculpture Garden, Mulberry Farm, Paradyskloof Road, Stellenbosch, 7600, South Africa

Plant Checklist can be obtained from the Sculpture Park

4 Inspiring Spaces and Places in Johannesburg

When you think of Johannesburg there are many pictures that may come to mind - highways with fast cars (or very slow ones with the terrible traffic!), tall flashy buildings housing the headquarters of the top companies in the country or materials such as concrete, glass and asphalt along with the accompanying noise and pollution. A fast paced city with people on the move and money to be made.

While I agree that there are negative sides to Johannesburg, like all cities, I have made a point of exploring some of the lesser known hideouts, especially those that have a strong nature and beauty component, to discover the hidden gems and softer side of the city that we don’t always see.

View over Johannesburg (Image credit pixabay.com)

Here are a few spaces that I’ve discovered and are well worth visiting:

1. Monument to 6 Million Jewish Martyrs in Europe

An impressive sculpture designed by Herman Wald can be visited at the Jewish quarter of the Westpark Cemetery. It consists of six bronze fists each 1.5m high holding shofars which stand a further 6m tall. A twisting ‘Eternal flame’ sits in the centre of the three arches that the sculpture creates. It was unveiled on the the 10th of May 1959 by Rabbi M. Neurock, member of the Israeli parliament who specially travelled to S.A for that purpose. The inscription on the plaque at the foot of the memorial reads “In everlasting memory of the six million Jews. Victims of man’s inhumanity to man who perished in the death camps of Europe 1939-1945. ‘Thou Shalt Not Forget’ “

See a previous Blog post on this Sculpture here.

For further information and historical references see Herman Wald’s website.

2. RMB Think Precinct

This urban square, located on the corner of Fredman Drive & Gwen Lane in Sandton Central also functions as an outdoor art gallery. It is situated at the entrance to the Rand Merchant Bank (RMB) headquarters and houses several of RMB’s artworks by famous South African artists including Eduardo Villa, Pieter Greyvensteyn, Angus Taylor, Guy Pierre Du Toit and Marieke Prinsloo-Rowe. The Think Bench by Louis Olivier which is on display here can also be seen at the University of Pretoria and the University of Stellenbosch.

“Art captures the spirit of the time, transform lives and bind together, not only hearts and souls, but entire societies and nations. Having a Corporate Art Collection on-site helps to reflect the culture of the company in an unspoken way. For example, Africa’s 'Fearless Girl' expresses how diversity and gender equality are valued and embraced. Our people and clients have always had easy access to the palpable energy that original creativity exudes. Artworks are generously displayed across workspaces and our newly refurbished Think Precinct hosts our most extraordinary sculptures in one central, outdoor area, for all to engage,” says RMB CEO, James Formby (www.rmb.co.za/page/rmb-welcomes-africas-fearless-girl)

If you are visiting Sandton be sure to also see the iconic statue of Nelson Mandela at the Sandton City Shopping Centre. The only statue that you will see of this hero that is larger can be found in front of the Union Buildings in Pretoria.

3. Nirox Sculpture Park

A most inspiring expanse of beautiful trees, lakes and waterways located in the Cradle of Humankind about 45 minutes from Johannesburg. You can discover something new every time you visit this park . The Park is open to the public on weekends and public holidays 10:00-16:00, or by special arrangements during the week.

Their aim to support the arts in all its forms can be clearly seen expressed in the numerous exhibitions and functions they have hosted there. Since NIROX’ beginnings in 2006, we continue to create and share an atmosphere that empowers, inspires and becalms artists; where visitors continue to be nourished with art in nature. (www.niroxarts.com/copy-of-sculpture-park)

The Sculpture Park regularly hosts independently curated exhibitions, functions, concerts and performances. They have hosted more than 300 resident artists and their aim is to encourage engagement and promotion of the arts in all forms. The restaurant on site is called ‘And then there was Fire’ and serves woodfire grill “We want to share with you the atmosphere of this place, the food that the earth provides and the beauty that surrounds us.” (www.andthentherewasfire.com)

4. Victoria Yards

The redevelopment of this sprawling light industrial site (30,000m2) is the brainchild of the developer behind 44 Stanley. A once derelict and mostly abandoned complex of buildings has been redeveloped and transformed into a haven for artists and creatives with a strong emphasis on skill sharing and community empowerment. The buildings are interconnected with spaces that are filled with vegetables and fruit trees making these areas both beautiful and functional. Urban agriculture is one of the many elements of this hub of creativity where community is encouraged to engage.

The project has won several awards: “The Urban Land Institute’s inaugural ULI Europe Awards for Excellence, which recognise outstanding urban development projects in the EMEA region. Developer and owner: Mr Brian Green – lead developer and consultant/planner. Architect: Boom Architects: Victoria Yards is a unique regeneration project that has risen from the ashes of a derelict industrial site to become an entrepreneurial incubation centre providing space at cost to social and artistic enterprises from the neighbourhood and beyond. It is an outstanding example of how creative thinking, community engagement and strong leadership can deliver immediate and evolving commercial, social and environmentally sustainable developments. Victoria Yards has created a thriving community that is as much about social cohesion and learning as it is a commercial enterprise. (www.victoriayards.co.za)

The project is a precedent for urban regeneration and gentrification while at the same time the developers have clearly been sensitive to the heritage of the site. The buildings have a raw beauty and several sculptures are dotted throughout the landscape. Some of the sculptures are by James Delaney who has his studio there and is known for his involvement in The Wilds. (Click here to read a previous post about The Wilds)

Visitors are welcome everyday. See Facebook for updates on their markets and upcoming events.

There are many beautiful and inspiring spaces in Johannesburg. Tell me about your favourite?

Discovering The Wilds, a Historical Park in Johannesburg

Kudu Sculpture with View of Telkom Tower from The Wilds

I had heard rumours about a beautiful outdoor space in Johannesburg called The Wilds but it was shrouded in mystery and even the name made me imagine an overgrown and slightly dangerous place to visit, naturally making me a bit apprehensive to go there. When I eventually did visit I was completely taken aback by the beauty and history of this Park. I was captivated by the winding stone paths, the incredible views, the amazing selection of indigenous plants and the artworks that brought such an element of fun and wonder.

Location

The Wilds is located on Houghton Drive, Houghton and is situated on the Parktown Ridge. It consists of two parts, East and West, and is connected by a bridge over Houghton Drive. The West is more park-like and popular amoung visitors, especially the Giraffe Lawn area while the East is recommended to walk in Groups.

Map of the Park at Main Entrance

History

The Park, like Zoo Lake and the Johannesburg Zoo, was a corporate gift to the citizens of Johannesburg. In 1924 the Johannesburg Consolidated Investment Company (JCI) donated the land, on condition that it remained in its natural state and open to the public. Once it was completed in 1938 it was opened to the public. In 1968 the JCI again donated to the park in the form of four greenhouses. It was declared a national monument in 1981.

In the 1980s and 1990s it was hit by crime and people stopped visiting. The park became forgotten and overgrown. In the early 2000s the park was fenced off and a resident named TJ de Klerk tried to revive it by taking people on guided walks on both sides of the park. See more about the rejuvenation of the Park further below, but let’s first look at its physical features:

Vegetation

The trees are incredible – massive Yellowwoods, Lavender Trees, Fever Trees, White Stinkwoods, Cabbage Trees, Olive Trees and a stunning assortment of Cycads and Aloes. The beds below the trees are filled with indigenous groundcovers and I saw plants on display that are seldom seen elsewhere (E.g Pycnostachys urticifolia). This collection of plants has developed over the years as supporters have donated plants and a large donation was made after the Empire Exhibition in 1936 when the Golden Jubilee (50th anniversary) of Johannesburg was celebrated.

Pathways

The winding pathways and staircases (over 8km) are made out of natural packed stone and these create a delightful maze to explore and discover. There is good signage that ensures you don’t get lost and also a map at the entrance to orientate yourself when first arriving. We naturally made our way up through the park, following the paths to the highest point of the park where the sundial is located and the views are panoramic.

Can you spot the Owls? There are 67

Beautiful Stone Pathways

Benches for resting and clear Signage

Sundial

The sundial was created and installed by sundial maker Malcolm Barnfield and stonemason Dave Baguley in 2005 and is inscribed with the words “I only count the sunny hours”. The message around the base of the dial reads “Blessed too is he who learned to know the God of The Wilds” which was previously depicted on a plaque commemorating the words spoken by Jan Smuts. When Smuts died in 1950 The Wilds was dedicated to his memory. (Davie, L. A journey through Johannesburg’s Parks, Cemeteries and Zoo. 2014. JHB City Parks and Zoo)

Sculpture

One of the highlights of The Park must certainly be the striking steel sculptures  (mostly animals) made by artist James Delaney who has also been instrumental in transforming and rejuvenating the park (See Rejuvenation below). The first installation took place in 2017 as a means of drawing people’s attention to the park. As it was close to Mandela Day, he chose to design 67 owl sculptures that would hang high in the forest and these are a delight to find for young and old alike.  Delaney explains that the sculptures start as charcoal sketches which are then laser cut from steel and painted or powder coated. The pink and yellow giraffe, located on the large bottom lawn area is life size and visible from the main road running past the park. According to Delaney this was a deliberate intervention to draw people’s attention to this once neglected space. The sculpture installations in the park won an award from BASA (Business Arts South Africa) in 2018. (https://www.delaney.co.za/outdoor-sculpture/)

Giraffe Lawn in the late afternoon with visitors picnicking

Bush Baby Forest

Views

The park offers views of Hillbrow, Berea and the inner city. This includes views of several Johannesburg landmarks, including Ponte City Apartments, The Hillbrow Tower, St. Johns School for Boys, Roedean School for Girls, and many mansions in the suburb of Houghton. (https://en.wikipedia.org/wiki/The_Wilds_Municipal_Nature_Reserve)

Rejuvenation

It has only been in the last few years that the Park has been fully revived and people feel safe enough to return. This has largely been brought about by artist James Delaney who has spent a considerable amount of time and money on generating funding and gaining support for the Park. He received an AfriSam-SAIA Award for his work in raising over R100 000 but this is just one of the many interventions he has championed. It is inspiring to read his story and how he became involved.

Here is an excerpt taken directly from his website where he details the history of his involvement and the progress made: (taken from https://www.delaney.co.za/installations/my-story-of-the-wilds/)

“Here are some highlights of the work that’s been achieved with my team, with volunteers and with the City Parks Wilds staff on the ground;

• Restoration of 80 park benches, repainting them in bold colours on volunteer days, with donated paint and tools.

• A mini library was donated for the entrance, from which people borrow or take books. It’s become really well used, especially by kids from the inner city.

• Negotiation with Roedean School to take down their stone wall, which had become unstable, and replaced with a fence, and the stone donated to The Wilds.

• Construction of the circular entrance area with seating, designed by Martine de la Harpe and built by JJ with the Roedean stone. This used to an eroded slope of dirt, a depressing welcome to the park. This was sponsored by Hollard, whose Villa Arcadia head office shares the same ridge as The Wilds, and they have done considerable indigenous planting to restore their landscape.

• Sealing the ponds and the installation of a pump which draws water discarded by Gautrain (they pump millions of litres out of their tunnels into the underground river). This water now flows beautifully though the lower ponds, and back into the river. This system was developed and installed by YPO, and opened by the Mayor. (YPO also got the upper ponds and waterfalls working for a while, but we’re waiting for City Parks to install a new pump for that system.)

• Mulching of flowerbeds. City Parks always used to take leaves to the dump, but I eventually convinced them to layer them on flowerbeds to protect the soil. They still won’t allow us to make compost.

• Design and installation of 100 items of signage throughout the park, thanks again to Hollard – directional, rules, information and welcome signage. Because City Parks has dated and unfriendly signage design, I redesigned a whole signage template for them. Most of the new signs are mounted onto a recycled plastic product.

• Huge weeding, every summer, which has broken the seed cycle of blackjacks and khakibos in most of the West Wilds (we have a long way to go in the East Wilds).

• Restoration of the hillside where the sundial is, including replanting indigenous grasses and aloes and removing all the nasty rusted wire fencing.

• Resurfacing of the carpark and internal road, and painting the pedestrian bridge (done by JRA, but I lobbied for it).

• Repairs to broken and missing pieces of fence, especially on the East Wilds (which is an ongoing job).

• Installation of fencing along Munro Drive, to complete the fencing of the entire perimeter of the park.

• A friend of The Wilds replaced the decrepit security hut, with a new structure which was warmer and nicer for the guards.

• Regular “Walk n Talk” sessions where visitors are led around the park in conversation with interesting people.

• Several weekly exercise classes on the lawns, run by various people who love outdoor training.

• Corporate events, weddings, small events and school tours have become a regular occurrence, providing an income stream to the city (unfortunately this doesn’t directly benefit The Wilds). They must be booked via City Parks, but when organisers approach me, I always ask them to add an element of giving back to the park, usually through volunteer work.

• Moving large aloes from locations where they are in too much shade (they start rotting) into the sun.

• Collecting cuttings for the nursery, which now has several thousand plants, particularly succulents. This has been an ongoing job benefiting from dozens of volunteer hands.

• Restoration of the abandoned compost area with the Rosebank Scouts.

• Large new flowerbeds around Giraffe Lawn, and repairing the little bridge, now adorned with crocheted flowers by local artist Curious Sleuth.

• Other artists are making their mark too; there was a land art project, and Gordon Froud’s sculpture installation, made from orange beacons, stands on the East Wilds.

• Planting indigenous trees. Volunteers have started labeling them too. We now also plant along the streets surrounding the park, to extend the forest canopy.

• Clean-up of the climbing wall, which is now regularly used.

• Clearing of invasive alien trees on the edges of both the East and West Wilds.

• Lining several kilometres of pathways with stones, to prevent damage to the plants on the edges.

• Restoration of 4 drinking fountains, broken for decades. Local mosaic artists are making beautiful detailing.

• The Munro Centenary Gates, which I drew using aloes as a motif which now stand on the Munro Drive side. Look carefully for the owls and mouse…

As the sculptures became popular, I used them to open up sections of the park that people weren’t visiting – they became destinations within the park, allowing people to walk further and spend more time exploring. There are now 100 sculptures – monkeys, a pangolin, ostriches, the red kudu family, klipspringers, duiker and more.

The largest is a 5 metre high pink and yellow giraffe, on what is now known as Giraffe Lawn. This was an important landmark piece as it is visible from the road, drawing the attention of passers-by. I crowdfunded to pay for the materials, which were considerable – it’s so heavy it had to be installed using a crane, and we had to bring a concrete mixer down narrow stone paths to lay the large block of concrete below ground to support it.” Read more on his website

How can you make a difference

Every person can make a difference in this life. We are all uniquely situated with unique talents and abilities. If we look back over the history of this park we see demonstrations of generosity where people have given land, time, money, plants, energy and love. The Wilds is a Park layered with history, memory and natural beauty. Fortunately for the citizens of Johannesburg James Delaney got a dog and needed a place to walk him and through his efforts over these recent years we can again experience this remarkable space. Where can you make a contribution to a park, an organisation or initiative to make a difference in your community?

Sprout Conference 2019

Hello Cape Town!

In the first week of June Carien Momsen from Pureline Interior Design joined me for the #SproutConference2019 to Cape Town. It was a lightning trip packed to the brim with experiences that included art, culture, beautiful landscapes, delicious food and even time with good friends.

Our Itinerary

Our first site visit was the breathtaking Dylan Lewis Sculpture garden in Stellenbosch. A truly memorable experience that really showcases how the landscape can be a sculptural element in itself. Dylan Lewis laid the paths out over many years with great attention to detail and the recommended visitors walk allows one to appreciate the sculptures in a dynamic way from many perfectly planned angles. The planting is focused on indigenous plants, particularly fynbos, of which a large selection of unusual varieties have been sourced from Kirstenbosch. The landscape and amazing planting combinations really were a highlight of this trip!

Sculptures, water, mountains - a language of beauty and nature

Loved the lime green and striking red colours of these Chasmanthe

Our celebratory lunch was held at Tokara’s restaurant where wine and fine dining was a feast for the senses. We also enjoyed the Art on display including the enormous and intricately woven tapestry (two sections, each 2.2 high x 3.5m wide) by Sayed Mahmoud from Egypt. A different type of tapestry was the woven pathways of the gardens at Babylonstoren which we explored even though it started to rain!

Fine Dining

Tapestry at Tokara

Our second day of exploration and inspiration started with a visit to Truth Roastery and 117Kloof for coffee and croissants as well as the Company Gardens - always a treat to visit. I love watching how people interact with this space and the different activities that take place here. The entrance to the Gardens is dominated by a massive timber Arch installed as part of the Design Indaba 2018 to honour Archbishop Emeritus Desmond Tutu.

Our next stop was the impressive urban precinct known at the Silos at the V&A Waterfront, particularly the Zeitz MOCAA (Museum of Modern Contemporary Art) Art Gallery. The building feels like an artwork and has been crafted out of forty-two concrete columns, each 33 metres tall with a diameter of 5.5 metres. It was designed by London’s Heatherwick Studios and the central atrium space, polished concrete surfaces and layout of the building generates an awe-inspiring reaction.

Following our experience of the museum we had a quick delicious lunch at the restaurant on the top floor with a beautiful view over the harbour and then spent some time exploring the V&A Waterfront.

Exploring the Waterfront

Our final site visit was the Norval Foundation in Tokai where we again saw beautiful artwork inside and outside the building. The sculpture park has beautiful indigenous planting combinations and although it was raining at this stage we still enjoyed our time here. We had a quick coffee break at Skotnes Restaurant before heading to the airport for our flight back to Johannesburg.

A huge thank you again to my amazing, incredible Executive PA for arranging this conference! It was a wonderful experience that filled us with inspiration for the year, hopefully until #SproutConference2020 :)

View of the Wetland running adjacent the Norval Foundation

Indigenous Planting

Anton Smit Sculpture Park

Entrance to Anton Smit Gallery is guarded by these sentinels

The ILASA year end function was held at the Anton Smit Sculpture Park in Bronkhorstspruit and included a guided walk through the gallery and production area, followed by a lunch at the tea garden called Imagine Cafe.

The Gallery

Anton was in the Cape over this time so the tour was led by his dynamic wife Roelien who gave us insight into the working of the gallery and Anton’s thought process in creating artworks. The gallery exudes creativity and Roelien made us all feel welcome by sharing her knowledge and introducing us to the team members of the business.

The ILASA group is given a tour of how the sculptures are made

Roelien explained that almost all of Anton’s sculptures are connected to the human body and relate to the human mind and soul. His work includes heads and monumental statues that evoke themes of suffering, reconciliation and glory and can be connected to his strong religious beliefs. He is also known for his nudes, masks, hands, angels, warriors and abstract works, using mostly steel, fibreglass and bronze.

Something beautiful at every angle

The Sculpture Park allows you to get up close to the artworks

The Sculpture Park consists of an assorted collection of his work placed in a garden setting with a bacdrop of natural limestone fomations. The largest of the sculptures can be seen when driving into the parking area and one can wander down to see these more closely. I especially liked exploring the garden and seeing a sculpture placed in a viewpoint, framed by trees, that one moved towards.

It is all about experience. What I love about his sculptures is that you can move around them, touch them and experience them from multiple angles.

Highly emotive, grand scale pieces welcome you to the Sculpture Park

The sculpture park is open to public, it can be accessed anytime, however the art gallery is only open during office hours Monday – Friday | 9am – 5pm, Saturday / Sunday | 9am – 1pm. For more info please visit https://www.antonsmit.co.za

Masks on the Wall

Letná Gardens, Prague

Wonderful ceramic horse sculptures that children were playing on!

Blue horse

I was so impressed with this large leafy green space situated North of the Old Town (The entrance is a 10 minute walk from Letenské náměstí). Not only is it loved by locals, but you will see many tourists enjoying the scenic views over the Vltava River as well as a beer from Letná Beer Garden.

Beer Garden with Views over the Old City and Vltava River

Broad walkways with tall leafy trees make this a lovely park to explore

This park caters for every age: we saw elderly ladies reading; moms with babies and toddlers at the children’s playgrounds; a youth group attending a class under a tree; teens learning to roller blade; hip young men skating and filming stunts; couples picnicking; people walking their dogs or sunbathing or cycling or jogging. A multi-functional space providing recreation opportunities in a safe and well maintained environment. I also saw a fenced off section that was specifically designated for dog training with obstacles where you teach your dog to do tricks.

Skateboarders are entertaining to watch

People admiring the view from Letná Terasa

Giant Metronome sculpture ticking away

Like most public spaces there is an element of vandalism which is particularly present at the uppermost viewing point where most of the skate-boarding takes place. This is also the platform with the best view point of the city which is dominated by a giant moving Metronome – one of the many quirky artworks dotted around the city)

I always orientate myself when I arrive somewhere by looking at the map they provide

Even through the graffiti it's interesting to read the Park's history

If you need a breather form the tourist filled streets of Malá Strana, this is the perfect place to go!

Taal Monument, Paarl

It was an overcast and misty morning when I arrived at 8am at the Taal Monument after a scenic drive through the Paarl Mountain Reserve. Fortunately it was not long before the sun broke through and the monument was looking picture perfect.

A monument to the Afrikaans language - this made me think about the beauty of the language and the culture associated it. My mother is Afrikaans so I have learned to appreciate a number of things: the Afrikaans soapies (Egoli and 7de Laan were part of our evening routine growing up); the wonderful arts festivals (Innibos, KKNK, Aardklop); Melktert and of course South Africa wouldn’t be the same without Ouma Rusks and Biltong. Apparently rusks and biltong were originated during the South African (Anglo Boer) War as it was a way for soldiers to carry dried bread and meat as provisions during long journeys.

The monument itself would be more suitably described as a sculpture. The fluid lines and curves are expertly moulded out of a monochrome material (concrete) that gives it a uniformity and elegance that surprised me. Because of the curvaceous form the ‘building’ comes across as welcoming, open and generous instead of cold, stark and rigid like many concrete structures I have experienced before.

The water feature at the heart of the tower has a calming and softening effect as the light reflects up onto the smooth walls and the gurgling sound creates a serene ambience. You emerge from the tunnel onto a large circular platform where there are three large mounds. Each element of the monument represents an important influence on the Afrikaans language (Europe, Asia and Africa) as well as two authors (C.J. Langenhoven and N.P. van Wyk Louw) who inspired the architect Jan van Wijk. These three mounds represent the African continent in the form of the three African languages that influenced Afrikaans: isiXhosa, isiZulu and seSotho.

You can then explore the adjacent garden where enormous granite boulders and gnarled old olive trees are found. These boulders compliment the sculpture beautifully in their form and colour.

The tall tower, which is so prominent from a distance, does not feel foreboding when you view it from up close. It is elegant and reminds me of the Tower of Babel – people with high ambitions, reaching up to the heavens. It is certainly far from the phallic, cold concrete monument I was expecting. In my opinion Jan van Wijk created a beautiful, site sensitive timeless sculpture and I thoroughly enjoyed visiting it. 

Architectural Model of the Monument in the Museum